director
Brady Corbet
One visit, reaching 25 films in the collection.
8 Jan 2025
The director and cowriter of The Brutalist selects three favorites by Luchino Visconti, praises Larisa Shepitko as one of the greatest directors in the history of cinema, and talks about the hypnotic, endlessly watchable The Mother and the Whore.
| Chose | Director | Year | |
|---|---|---|---|
| 1 | The Leopard | Luchino Visconti | 1963 |
| 2 | Death in Venice | Luchino Visconti | 1971 |
| 3 | The Damned | Luchino Visconti | 1969 |
| 4 | Marketa Lazarová | František Vláčil | 1967 |
| 5 | Salò, or The 120 Days of Sodom | Pier Paolo Pasolini | 1976 |
| 6 | The Ascent | Larisa Shepitko | 1977 |
| 7 | Bergman Island | Mia Hansen-Løve | 2021 |
| 8 | The Mother and the Whore | Jean Eustache | 1973 |
| 9 | World of Wong Kar Waibox set, 7 films | ||
| 10 | Pasolini 101box set, 9 films | ||
| 11 | Dekalog | Krzysztof Kieślowski | 1988 |
Least-picked choice here: Marketa Lazarová , taken by nobody else.
Closest taste
Guests who chose the most of the same things. Anyone filmed alongside Brady Corbet is left out, since they picked from one list.
| Guest | Shared | Jaccard | In common |
|---|---|---|---|
| Paul B. Preciado | 2 | 0.125 | Pasolini 101, Salò, or The 120 Days of Sodom |
| Robert Eggers | 2 | 0.125 | Death in Venice, Pasolini 101 |
| Mark Bridges | 2 | 0.105 | The Damned, The Leopard |
| Carl Franklin | 2 | 0.095 | Death in Venice, The Damned |