master
Lucrecia Martel
One visit, reaching 11 films in the collection.
17 Sept 2017
The Argentine master behind such enigmatic, formally audacious films as Zama and La Ciénaga reveals her love of genre cinema.
| Chose | Director | Year | |
|---|---|---|---|
| 1 | The Lady Vanishes | Alfred Hitchcock | 1938 |
| 2 | Seven Samurai | Akira Kurosawa | 1954 |
| 3 | Amarcord | Federico Fellini | 1973 |
| 4 | Beauty and the Beast | Jean Cocteau | 1946 |
| 5 | Love Streams | John Cassavetes | 1984 |
| 6 | Time Bandits | Terry Gilliam | 1981 |
| 7 | Eyes Without a Face | Georges Franju | 1960 |
| 8 | Naked Lunch | David Cronenberg | 1991 |
| 9 | Carnival of Souls | Herk Harvey | 1962 |
| 10 | The Red Shoes | Michael Powell and Emeric Pressburger | 1948 |
| 11 | Cat People | Jacques Tourneur | 1942 |
Least-picked choice here: Beauty and the Beast , taken by 1 other visits.
Closest taste
Guests who chose the most of the same things. Anyone filmed alongside Lucrecia Martel is left out, since they picked from one list.
| Guest | Shared | Jaccard | In common |
|---|---|---|---|
| Paul Giamatti | 2 | 0.118 | Carnival of Souls, Cat People |
| Flying Lotus | 2 | 0.105 | Carnival of Souls, Naked Lunch |
| Euzhan Palcy | 2 | 0.100 | Love Streams, The Lady Vanishes |
| Bill Hader | 2 | 0.067 | Amarcord, Cat People |