photographer and artist
Tyler Mitchell
One visit, reaching 17 films in the collection.
18 Sept 2023
The acclaimed photographer and artist talks about bonding with his dad over films in the collection, praises the subtle power of Ozu’s framing, shares his connection to Garrett Bradley’s depiction of Black American life, and touches on his love for Paul Thomas Anderson.
| Chose | Director | Year | |
|---|---|---|---|
| 1 | The Watermelon Woman | Cheryl Dunye | 1996 |
| 2 | L’argent | Robert Bresson | 1983 |
| 3 | Eclipse Series 3: Late Ozubox set, 5 films | ||
| 4 | A Brighter Summer Day | Edward Yang | 1991 |
| 5 | Claudine | John Berry | 1974 |
| 6 | La Ciénaga | Lucrecia Martel | 2001 |
| 7 | The Music Room | Satyajit Ray | 1958 |
| 8 | Love & Basketball | Gina Prince-Bythewood | 2000 |
| 9 | Punch-Drunk Love | Paul Thomas Anderson | 2002 |
| 10 | 3 Women | Robert Altman | 1977 |
| 11 | Time | Garrett Bradley | 2020 |
| 12 | Notorious | Alfred Hitchcock | 1946 |
| 13 | Rebecca | Alfred Hitchcock | 1940 |
Least-picked choice here: The Music Room , taken by nobody else.
Closest taste
Guests who chose the most of the same things. Anyone filmed alongside Tyler Mitchell is left out, since they picked from one list.
| Guest | Shared | Jaccard | In common |
|---|---|---|---|
| Halle Berry | 3 | 0.150 | Claudine, Love & Basketball, Rebecca |
| Gina Prince-Bythewood | 2 | 0.087 | Claudine, Love & Basketball |
| Barry Jenkins | 2 | 0.071 | A Brighter Summer Day, La Ciénaga |