actor, screenwriter and producer
Steve Coogan
One visit, reaching 7 films in the collection.
27 Mar 2025
The actor, screenwriter, and producer talks about the monochromatic world of The Spy Who Came in from the Cold, praises the way that the cinematography of Klute turns viewers into voyeurs, and shares why His Girl Friday represents Hollywood at its finest.
| Chose | Director | Year | |
|---|---|---|---|
| 1 | The Lady Vanishes | Alfred Hitchcock | 1938 |
| 2 | 12 Angry Men | Sidney Lumet | 1957 |
| 3 | The Spy Who Came in from the Cold | Martin Ritt | 1965 |
| 4 | A Matter of Life and Death | Michael Powell and Emeric Pressburger | 1946 |
| 5 | The Servant | Joseph Losey | 1963 |
| 6 | Klute | Alan J. Pakula | 1971 |
| 7 | His Girl Friday | Howard Hawks | 1940 |
Least-picked choice here: The Servant , taken by 1 other visits.
Closest taste
Guests who chose the most of the same things. Anyone filmed alongside Steve Coogan is left out, since they picked from one list.
| Guest | Shared | Jaccard | In common |
|---|---|---|---|
| David Tennant | 2 | 0.182 | 12 Angry Men, His Girl Friday |
| John Lithgow | 2 | 0.182 | The Lady Vanishes, The Spy Who Came in from the Cold |
| Ron Shelton | 2 | 0.182 | His Girl Friday, The Lady Vanishes |